SPINE — A LETTER PAGE
Spine — A Letter

What makes certain garments remain with us longer than others?
It's a question I find myself returning to often. Not only as a designer, but as someone who has always been more drawn to the feeling of clothing than the performance of it. Over time, I've realised the pieces I continue to wear are rarely the loudest ones. They are the garments that become familiar through repetition. The ones that settle naturally into everyday life and begin to feel instinctive rather than styled.
Much of modern fashion is built around attention. Around constant newness, visibility, and the pressure to be noticed immediately. But the garments that tend to remain often function differently. They reveal themselves slowly through texture, movement, softness, and wear. Their presence does not come from excess, but from the relationship formed between the garment and the person wearing it over time.

The more I thought about this, the more it began shaping the way I approached design itself. I found myself becoming increasingly interested in restraint. In silhouettes that feel deliberate rather than excessive. In fabrics that soften and develop character through wear. In details that sit quietly within the garment instead of demanding attention from it.
That approach continues through the collections today. Natural fabrics and dyes are chosen not for novelty, but for their depth, irregularity, and ability to age with character. Surface texture and construction are developed within the textile itself, allowing details to exist as part of the material rather than as an applied element.
I've always been drawn to clothing that feels calm rather than performative. Pieces that do not ask for constant attention, yet continue to hold presence through repetition and wear.
To me, that is what makes a garment worth returning to.
— Radha